Whenever I'm doing foley for projects, I just switch my schedule to working nights for a week or so. This video is about: a silent room sound effect ambience sfx or atmosphere tone sfx of a silent or quiet empty room or house with silence. If you're dealing with location noise, try recording during the night. It's a great and easy way to significantly lower your noise floor. Explore 6,759 results for room ambience in the Pond5 Sound Effects collection. It's an inline mini preamp, inserted into the signal chain, that provides around 23dB of pristine gain. If noisy preamps are the issue, then grab a FEThead from Triton Audio. Unless a very light denoise pass will suffice, I would suggest just rerecording. In an ideal world, we’d always be able to record drums in a great-sounding room one of a decent size that, with just a little knowledge of mic technique, makes it almost effortless to capture the sound of a live drum kit, enhanced with nice room ambience. Noise reduction is generally not a very good solution for foley, as the sounds can tend toward the delicate side of things, and denoise algorithms generally don't "do" finesse terribly well. Ambient miking can really make your drum sound even when you’re not blessed with the greatest of spaces. Carpeted rooms can benefit from the addition of a stylish accent rug, which can add colour, texture, and pattern to the space as well as define. A noisefloor of -50dB isn't all that low/great.
If you're struggling with noisy recordings, you probably need a new location to record in, or new preamps/cables/mics (depending on what sort of "noise" you're dealing with).
It always frustrated me when people gave me that answer, but it's pretty much the only right answer for that question. There's no specific level for ambience (or foley for that matter), it is simply mixed to sit naturally in relation to the dlog. Get your dlog levels right, and everything else gets mixed according to that.
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